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Rudakoff, Judith

Judith Rudakoff
Judith Rudakoff. Photo by Christopher Gentile

Developmental dramaturg Judith Rudakoff has a BA from McGill University, an MA from the University of Alberta, and a PhD from the University of Toronto. She is a professor at York University in Toronto.

Rudakoff has worked with emerging and established playwrights and artists throughout Canada, and in Cuba, Denmark, South Africa, England and USA. She works frequently with Canadian performance artist Nina Arsenault, and was the dramaturg for The Silicone Diaries, I Was Barbie, and 40 Days and 40 Nights. A recent project is Common Plants: Cross Pollinations in Hybrid Reality (www.yorku.ca/gardens), a multidisciplinary cross cultural project funded by SSHRC involving artists and students from diverse cultural and geographical backgrounds, including Iqaluit, Nunavut and Cape Town, South Africa. Recent playwriting projects are Beautiful Little Lies, set in Cuba, which received staged readings in Trinidad, Guyana, and New York; and The River (co-written with David Skelton and Joseph Tisiga), which premiered at Nakai Theatre in Whitehorse, Yukon Territory in April 2011.

Books include Dramaturging Personal Narratives: Who am I and Where is Here? (Bristol, Intellect Press/University of Chicago Press 2015); TRANS(per)FORMING Nina Arsenault (Bristol, Intellect Press/University of Chicago 2012) which received Honorable Mention for the Patrick O’Neill Prize; Between the Lines: The Process of Dramaturgy (Playwrights Canada Press, 2002, co-editor Lynn M. Thomson); Fair Play: Conversations with Canadian Women Playwrights (Simon & Pierre, 1989, co-editor Rita Much); and Questionable Activities: Canadian Theatre Artists in Conversation with Canadian Theatre Students (Playwrights Canada Press, 2000).

Her articles have appeared in The Drama Review (TDR), TheatreForum, and Canadian Theatre Review. She is the creator of The Four Elements and Elemental Lomograms, transcultural methodologies for initiating live performance and visual art.

Rudadoff has won three consecutive NOW Magazine "Best of Toronto" awards. She was the first Canadian honoured with the Elliott Hayes Prize in Dramaturgy for her work on South Asian choreographer Lata Pada’s multidisciplinary work, Revealed by Fire.

She is a member of Playwrights Guild of Canada, and Literary Managers and Dramaturgs of the Americas.

Last updated 2015-10-26