If the content you are seeing is presented as unstyled HTML your browser is an older version that cannot support cascading style sheets. If you wish to upgrade your browser you may download Mozilla or Internet Explorer for Windows.

Massicotte, Stephen

Playwright and actor Stephen Massicotte grew up in Thunder Bay, Ontario, and attended Cambrian College in Sudbury, where he graduated with a Diploma in Graphic Design and Advertising. He then attended the University of Calgary where he earned a Bachelor of Fine Arts. His first plays were short Fringe productions, in which he acted with friends. His one-act plays include The Boy's Own Jedi Handbook, a coming-of-age story based on Massicotte's own experience, which shows the imaginative impact of the 1977 release of Star Wars on an adolescent boy and his friend. Massicotte believes that the "force" is a positive substitute for organized religions that have atrophied or become corrupt. The play was revived at the 2003 Alberta Theatre Project's playRites Festival. Other early plays include My Life of Crime, A Farewell to Kings: A Banger Play, produced by Ground Zero Theatre in Calgary and Theatre Network's NeXtFest in Edmonton, and Looking After Eden.

His first full-length work was Mary's Wedding, which took three years to research and gestate and two years to rework at Alberta Theatre Projects. A "dream play" set in 1920 on the evening before Mary's wedding, it tracks back in time to her relationship with a young prairie farm lad, who leaves to fight the war to end all wars, but who remains alive and present in her imagination and memory. Mary's Wedding was enthusiastically received by Calgary audiences and reviewers, and awarded the Betty Mitchell Award for Outstanding New Play in 2002, and the Gwen Pharis Ringwood Award for outstanding new publication. Since its premiere at ATP playRites Festival in 2002, it has been produced across the country: at the National Arts Centrein Ottawa, and at least ten regional theatres, including Victoria's Belfry, Regina's Globe, Thunder Bay's Magnus Theatre, the Brome Theatre in the Eastern Townships, Theatre New Brunswick, and The Eastern Front Theatre. It has been produced in Washington and San Jose, and in Perth, Scotland, and translated into French. Massicotte has also written a screenplay for Mary's Wedding.

In May 2004 Ground Zero Theatre produced Massicotte's Spot the Pervert at the Pumphouse Theatre, Calgary - a play far removed from the romanticism and idealism of Mary's Wedding. Set in a porno store, this black comedy shows how different couples respond to pornography, and how it conditions their social behaviour.

His international reputation growing, Massicotte based himself in a flat in Notting Hill, London to research the life of T.E. Lawrence for a play commissioned by the National Arts Centre. This anti-war play, The Oxford Roof Climber’s Rebellion, premiered at the Great Canadian Theatre Company in Ottawa and at the Tarragon Theatre in Toronto in the fall of 2006. It follows the antics of Lawrence of Arabia and the poet Robert Graves, during their post-WWI reunion at Oxford University, where they steal livestock, shoot a typewriter for insubordination and fly the university chancellor’s trousers from the pinnacle of a library roof to protest the political glorification of war, and to come to terms with their own roles in the theatre of war.

Massicotte scripted an historical drama about the creation of an opera by internees of a concentration camp entitled The Emperor of Atlantis, produced by the Edmonton Opera Company in the fall of 2004. He has been commissioned to write a play for Tarragon Theatre in Toronto, entitled A Perfect Beast.

His screenplays include a supernatural thriller filmed on the Isle of Man called The Dark; and the cult horror film, Ginger Snaps and its sequels, for which he was awarded an AMPIA,. He has also written scripts for the Disney TV series, Honey, I Shrank the Kids, and the CBC's Tom Stone.

He is a member of the Alberta Playwrights Network, the Calgary Society of Independent Filmmakers, and the Playwrights Guild.

His advice to aspiring playwrights is to be involved with theatre, and to get a library card. He had no formal writing instruction, but believes that his experience as an actor prepared him well for writing for the stage. He believes that he has evolved from a playwright motivated by anger to a playwright who values positive social, personal, and spiritual values. He wants to address the nature of being alive, what people feel more than what they think.

Anne Nothof, Athabasca University

Last updated 2010-02-24