Filipina-Canadian playwright, director, dramaturg, and actor, based in Toronto Ontario. Nina Lee Aquino completed a Bachelor of Arts in drama at the University of Guelph and a Master of Arts in theatre at the Drama Centre, University of Toronto. She was a founding member and Artistic Director of fu-GEN Asian-Canadian Theatre Company (2002-10), and Associate Artistic Director of Factory Theatre, as well as the Artistic Producer of the CrossCurrents Festival at Factory Theatre. She has also worked for Native Earth Performing Arts and Young Peopleís Theatre. From 2009 to 2013 she was Artistic Director of Cahoots Theatre Projects. In September 2012, she was appointed a member of an interim artistic team with Nigel Shawn Williams at Factory Theatre, and was the Artistic Director from 2014 to 2022. Recent directing projects at the Factory include School Girls; or, the African Mean Girls Play by Jocelyn Bioh, a co-production by Nightwood Theatre and Obsidian Theatre Company(2019).
With Nadine Villasin, she co-wrote Miss Orient(ed) (Carlos Bulosan Theatre 2003, directed by Guillermo Verdecchia), a comedy about a beauty pageant set in the Philippines, which satirizes the idealization of Western standards of attractiveness. In January 2013, her examination of her own family history and the violent politics of the Philippines, Every Letter Counts opened at Factory Theatre (dir. Nigel Shawn Williams).
Her monologues have been published in Beyond the Pale (ed.Yvette Nolan) and She Speaks (ed. Judith Thompson). She is the editor of Canada's first Asian-Canadian drama anthology, Love and Relationships Vols 1 and 2 (Playwrights Canada Press, 2009).
In 2010, she organized the first conference on Asian-Canadian theatre, which included scholars and theatre practitioners from across Canada and the U.S. In 2011 she co-edited with Ric Knowles the proceedings of that conference: Asian Canadian Theatre for the series New Essays on Canadian Theatre, published by Playwrights Canada Press.
Nina Lee Aquino is committed to the development of new works, and to the artistic expression of interculturalism in theatre.
She is the recipient of the Ken McDougall Award for directing (2004), the Canada Council John Hirsch Prize (2008), and awarded three Dora Mavor Moore Awards for Outstanding Direction, for paper series by David Yee (Cahoots, 2011); Sultanís of the Street (2014), and School Girls; Or, The African Mean Girls Play (Obsidian Theatre Company in association with Nightwood Theatre, 2019).
She was President of the Professional Association of Canadian Theatres/PACT. Recently, she was appointed to the faculty of York University's Department of Theatre as Adjunct Professor. She is married to actor, sound designer, and fight director, Richard Lee, and has one daughter.
Source: Cahoots Theatre Projects website
Profile by Anne Nothof, Athabasca University
Last updated 2021-05-28